20191208 Arclight Hollywood 故事的主角是“画”从奇观到镜子到屏幕再到界面画一直是这份禁忌之爱的媒介二人的关系每次发生微妙变化画的内涵亦发生改变诚如德布雷所说绘画诞生于人对死亡的抵抗蜜红豆是一份自我形象在世界的留存电影里的画本是一份人身买卖的标价书最后却成了暗通款曲的信号站画通往生死之间那个时代的人并不自由而画却自由了画的自由或将反过来再次形塑人改变人的自由
"One thing that I've learned about love, is that it is a lot like moving to a new country, trying to build something where nothing existed before. It's hanging on and letting go. It's messy, it's beautiful, like any giant leap of faith."